Perform at your best.
Play a Bezard
The Right Amount of
Over-The-Top
Will Bezard is a luthier in Big Rapids, Michigan. He is a Galloup School of Lutherie graduate and previous foreman of Rick Turner Guitars.
After spending 6 years in Rick’s shop, he returned to Galloup School to contribute to the developing minds of the next generation of luthiers, while continuing to develop his brand.
Scale: 24.75”
Top & Back: Master Grade Flame Maple
Color: Gator Burst
Body: Lightly Dyed Mahogany with Ebony Layer between Top and Back Layers
Neck: Graphite Reinforced Mahogany/Maple with Inlay and Aluminum Nut
Headstock: Beveled Front and Back Edge Matching Body with Truss Access
Fretboard: Dyed Flame Maple with Custom Inlay Design
Frets: Jumbo Stainless
Radius: 12″ – 20″ Compound
Inlays: Polyurethane Green Resin
Pickups: Seymour Duncan “Greenie” Set
Hardware: Hipshot
Hardware Color: Black
Electronics: Volume/Tone/3-Way
Nut: Aluminum
Finish: Gloss
Case: TKL Custom Case
Model: Scarab
Scale: 24.75”
Top & Back: 1 Piece Master Grade Walnut
Body: Maple with Ebony Layer between Top and Back Layers
Neck: Graphite Reinforced 5 piece Maple with Inlay and Brass Nut
Headstock: Beveled Front and Back Edge Matching Body with Truss Access
Fretboard: Ebony with Custom Inlay Design
Frets: Jumbo Stainless
Radius: 12″ – 20″ Compound
Inlays: Polyurethane Resin with Blue and Gold Pigment Bordered by White Polystyrene Purfling
Pickups: Bare Knuckle Warpig Chrome Covered with Burnt Chrome Screws
Hardware: Hipshot
Hardware Color: Chrome
Electronics: Volume/Tone/3-Way
Finish: Gloss
Case: TKL Custom Case
This guitar is my first go at a “super-strat” style electric guitar. The name Famine comes from the second horseman of the apocalypse and perfectly describes this guitars attributes. Ultra-light and very thin. In fact, it is barely there and completely melts into your body.
A unique aspect of this model is the radius of the top of the guitar. The compound radius of the fretboard projects to 23.5” at the intonation point. This is the dimension of the radius of the top. The individual saddle bodies are also machined to this radius. The back is also radiused in the same direction at 47”.
Specs:
-25.5”-25” multiscale Ebony fretboard with a 12”-20” compound radius.
-Mahogany body, graphite reinforced Mahogany laminate neck and Flamed Redwood decorative veneers and green/white resin inlay.
-Fishman Fluence pickups wired to a 3-way switch with volume and tone controls.
-Aluminum nut, stainless steel frets, and chrome Hipshot Hardware.
-Form fitting custom TKL hard case.
This guitar is my first go at a “super-strat” style electric guitar. The name Famine comes from the second horseman of the apocalypse and perfectly describes this guitars attributes. Ultra-light and very thin. In fact, it is barely there and completely melts into your body.
A unique aspect of this model is the radius of the top of the guitar. The compound radius of the fretboard projects to 23.5” at the intonation point. This is the dimension of the radius of the top. The individual saddle bodies are also machined to this radius. The back is also radiused in the same direction at 47”.
Specs:
-25.5”-25” multiscale Rosewood fretboard with a 12”-20” compound radius.
-Mahogany body, graphite reinforced Mahogany laminate neck and Port Orford Cedar decorative veneers with a tobacco sunburst, and red/gold resin inlay.
-Fishman Fluence pickups wired to a 3-way switch with volume and tone controls.
-Brass nut, jumbo Evo gold frets, and gold Hipshot Hardware.
-Form fitting custom TKL hard case.